The comb-over & fade along with the boxed beard were faithfully recreated in myriads of submillimeter-accurate polygons and packed into a 3D model file in .stl format.
All the thin edges and angled surfaces of the crankcase, together with its individual structural reinforcements, were captured with unmistakable fidelity.
Full of smaller, finer details as well as holes, fine lines, sharp edges, and smooth, possibly shiny surfaces, the dual-clutch gearbox becomes a lot easier to scan with Artec 3D’s new HD mode.
Using the new, AI-powered HD Mode, all the thin edges, including the internal reinforcements, as well as the holes of various diameters, and the long, sweeping curves of the aerodynamic exterior were easily captured.
When it comes to digitizing such fragile historical artifacts as bones, skeletons, and skulls of rare creatures, be it a dinosaur, a mammoth, or ancient human remains, 3D data quality is key.
Hollow areas or surfaces inside the rim that were previously quite tricky to capture in one go have been reconstructed in full detail with no artifacts or noise.
What makes this model special is the ultra-high level of detail and the incredible cleanliness of data that the scanner is able to achieve, all thanks to HD Mode.
Have a look at each angle of this 3D model and notice how well everything has been captured — from its finest details to its texture, its ornamental design, and its altogether exquisite appearance.
Effectively 3D scanning such a diminutive 6" × 6" × 4"(15 cm × 15 cm × 10 cm) powerhouse, with its diverse and sundry assemblage of parts, is a formidable challenge for a quality inspection or reverse engineering workflow.
Have a good look around this model and have a look at the lines, the details, the form, and the fact that the 3D model represents the original object with astounding accuracy.
Boosted by the AI-injected feature of Artec Studio 15 called HD Mode, the scanner managed to capture all the teeny details of the engine in high resolution with no help from scanning spray or markers.
These elaborately-crafted wooden doors were scanned with an Eva in merely a handful of minutes. Since the resulting 3D model was destined for use in a movie, the doors’ many intricate carvings needed to pass close visual inspection.
The chair’s crisp edges along its cross rails, legs, and stiles, together with its precise interfaces among components, called for a high degree of precision.
What appears to be a normal, everyday office chair, plucked from the glass and steel confines of a typical high-tech office in sunny California, serves as a fine example of capturing modern furniture with Artec Leo.
Taking only 20 minutes to scan the whole car, and just under one and a half hours to process the captured 3D data, this highly accurate 3D model was ready in under two hours from start to finish.
Team Artec is constantly putting 3D scanners through all sorts of tests to see how well they handle a wide range of objects, as well as to delineate the best path to follow for delivering the most accurate results. One such test project is showcased here on this page.
A small bedside table, quickly scanned by Artec Eva in three scans. The thin legs might have been a challenge if they had not been scanned in front of a background (the wall and floor). Otherwise, a very easy to scan piece of furniture.
A beautiful skull of an African antelope, captured with Eva in two scans: the front and the back. These were then automatically aligned in Artec Studio.
The craftsman who created this feast for the eyes definitely put a great deal of effort into their work. So did Artec Space Spider and Eva, the two handheld 3D scanners which were used to capture everything down to the finest features of this geometry-rich object in order to make the 3D model look as impressive as the original work of art, inspired by Doom, the epic shooter.
Easily captured with the desktop high-resolution 3D scanner Artec Micro, this tiny plastic wand connector section of a Drain Weasel would be a challenge for many other 3D scanners.
A quick self scan of an eye. A very noticeable thing here is that Spider has scanned past the natural eye lens and captured the correct position of the iris.
A fish can be tricky to scan, since it's body geometry changes when you turn it over to scan the other side, unless it's frozen (and in this case it was not).
Scanning this flower with Artec Space Spider was fairly easy — one just needed to be mindful of perspective change in geometry of the petals once the object was turned over.
Leo was able to scan this fountain’s 7-meter basin in just under fifty minutes, with no need for additional preparation or the use of extra features to improve the scanner’s tracking.
This small and fragile skull of a desert fox was scanned with Artec Spider. While the model looks complicated, there were no challenging areas to scan.
An architectural element, scanned with Eva in under 2 minutes. After scanning it was slightly adjusted in 3D modeling software and carved in styrofoam.
This lion is one of two nearly identical bronze animals prowling alongside the steps of a town hall. Mounted on a pedestal, it was a bit hard to reach, but not for Leo — its namesake!
This bronze monument overlooking San Francisco Bay was captured in full daylight with Artec Leo in only 45 minutes, as the sun was rising up above the water.
A metal nut, just over 15 mm, easily scanned with Artec Micro in just two scans. Unlike handheld scanners, Micro was able to scan this piece without the need for any additional features or background.
This tall statue in central Luxembourg, which commemorates one of the most famous local writers, was easily captured using a synergy of the wireless handheld 3D scanner Artec Leo and the tripod-mounted laser scanner Artec Ray.
This motorcycle was scanned with both Eva and Space Spider. Eva allowed for fast and easy acquisition of the overall shape, while Space Spider was used to scan the intricate geometry of the wheels and the sides.
This 3D scanning project embodies a confluence of factors that could have complicated effective capture and reconstruction of the wild variety of shapes that needed to be captured and reconstructed in this case.
This object is considered as «large» for trajectory purposes. Although we used only a «simple» type of trajectory, with fewer frames, all of the intricate curvatures were successfully captured.
The cap was made of semi-transparent plastic and required a bit of dusting with an airbrush. Then it was mounted on the scanner’s rotating platform with a clamp. A couple of mouse clicks — and scanning commenced.
This ordinary office Troll was scanned with an Artec Leo 3D scanner. In exchange for the promise of some meaty morsels, the troll agreed to pose for the scanning by leaning on a chair that was later removed during post-processing in Artec Studio.
This small turbine was scanned in three passes using a rotating table — this enabled the operator to easily capture all the curves from different angles with less hand motion.
Yes, this is one of those dandy not-so-little devices that no one wants to hear their mechanic talking about, especially not while he’s rubbing his hands together and has a certain little gleam in his eye.
